We got the news earlier this month that Wolf Hall, with 6 nominations, leads the pack for BAFTA TV Craft Awards. When the winners are announced on April 24, we’ll be tuning in to see this once-in-a-lifetime production hopefully win for some, if not all, of these categories for which it has been nominated.
Today we learn the remainder of the nominations for Wolf Hall for the BAFTA TV Awards.
Wolfhall seems an awful long time ago to me. I saw it when it aired in the UK at the beginning of the year. Therefore the run up to the Emmys provided the perfect excuse for a re-watch and I continue our countdown to the Emmys by looking specifically at the episode for which Damian has been nominated (Wolf Hall, episode five, ‘Crows’) in the best supporting actor for ‘TV Movie or Limited series’ category.
The first question to ask is why episode five? Damian’s performances across the five episodes he is in – he only appears briefly at the end of episode one – are all very solid and any one of them could easily be the one up for nomination.
Some people complained that episode one was too slow paced, but if you had the patience to stay with it you get the reward. Think of Wolfhall as a pot slowly simmering to a boil. Episode five is when Wolfhall begins to come to the boil in readiness for a finale in episode six which will sear itself into our minds. Episode five simmers and crackles. It begins to reach the point of boiling over…and that isn’t the pot lid threatening to blow off that is the King with steam coming out of his ears! Continue reading “The Crows are circling”
Henry VIII is a monster, but he’s our monster. We’re perversely proud of Henry. -Hilary Mantel
Tell me… what are the odds your favorite actor plays your favorite historical monster in a mini-series based on your favorite book? I know 🙂 And, not just that, but the mini-series had its world premiere on BBC2 on January 21 — literally as my birthday gift! A-M-A-Z-I-N-G!
Wolf Hall has fascinated me all over with its wonderful writing, perfect directing, incredible acting, authentic costumes and gripping score. I think The Atlanticput it into the best words possible: “With Wolf Hall, PBS finds a drama worth of the word “Masterpiece.”
Yes. Wolf Hall is a masterpiece and what TOPS it all for me is how TIMELESS it feels. And, as I am having Wolf Hall withdrawals nowadays, why not sit down and write about its timelessness?
Hilary Mantel’s writing and Peter Straughan’s wonderfully condensed script open a beautiful window to the intrigue and manipulation in the court of Henry VIII in the 16th century. Wolf Hall is such a dark, political animal that it is inevitable to chew on a little bit about its politics. Besides, both the book and the drama help us understand history through a contemporary perspective, and does it through its politics and in particular, through the contemporary conversations its characters have all the time. Continue reading “Wolf Hall is Timeless”
The final episode of this fantastic series starts with Anne served up on a table, appetites of all her enemies at the ready, and Cromwell at the head of the table brandishing the knife. It’s Cromwell’s vision of himself and the metaphor for what he’s about to do to the Queen. Thus the episode “Master of Phantoms” starts with the masterful Cromwell ushering us into the final movement of this riveting and memorable drama, colored in broad strokes by a pervasive sense of inevitability and doom.
The conceit with which Mantel started Cromwell’s mission within Henry’s court, that posse of gentlemen dramatizing leading beloved Worsley into hell, is now going to come to a head. That posse is going to get what’s coming to them, in a sequence of events perhaps a bit too convenient, but compelling nonetheless. Continue reading “Master of Prophecies, Master of Phantoms, Master of Fate”