It all starts for me when a good colleague with whom I share true love for theater asks me to name my favorite male and female stage performances in 2015. Easy. Lesley Manville in Ibsen’s Ghosts and Damian Lewis in Mamet’s American Buffalo (with Mark Strong in Miller’s A View From the Bridge as a close second). And what is it about these performances that made me fall in LOVE with them?
One word: Precision.
Then I think about the heart-breaking performance Lesley Manville gives in Ghosts which, in fact, has brought her an Olivier Award in 2014 (I saw the play much later when it visited Brooklyn Academy of Music in 2015). I know Manville mostly from her work on big screen such as Secrets and Lies (1996), Vera Drake (2004), Another Year (2010) and Mr Turner (2014) all of which were some of my favorites in the year they were released. But I really do not know about her stage work. So I google her. And here is the first image I hit! Continue reading “Throwback Thursday to Damian Lewis in Pillars of the Community”
Matt Wolf, a theater critic who interviews Damian Lewis at Times Talks London in May 2014, spends quite some time talking to Damian about each and every play he has done to date at length, well, except for one: When it comes to Five Gold Rings, Wolf mentions it briefly and as more of a personal highlight than a professional one for Damian!
Matt Wolf: “One production at The Almeida called Five Gold Rings was perhaps not that successful except that it has the woman whom you ended up marrying so I would assume it was a success in that way.”
To be filed in the category of “This is a guy who makes you want to go back to school”, we learned and reported (on our lovely sister site damian-lewis.com) that Damian’s version of Antony’s funeral speech from Julius Caesar, for The Guardian’s video series Shakespeare Solos, was featured in a seminar on rhetoric. This wasn’t an avenue for literary criticism or drama theory, but a newsletter on effective public speaking.
How is speaking any different from writing and reading, you may wonder? Well, there are components to classical rhetoric, when dissected, can show you what makes one speech different from another. Such an analysis would reach your brain (or at least attempt to). Alternatively, we can talk about how a speech makes you feel. Granted we’re not seeing much great oratory from our current elder statesmen, so examples are few and far between. But, there was a time, wasn’t there? In our not too distant history, when a leader spoke, it did a heart good to hear, didn’t it?
“I don’t think most people know what a song-and-dance man he is. I suspect Damian’s dream gig would be a Broadway musical, and he would be amazing. He actually took tap-dancing lessons throughout the filming of Homeland’s second season.”