Today is World Day Against Trafficking in Persons.
Human trafficking is nothing but modern day slavery. It is a multi-billion dollar crime industry where, according to The International Labor Organization estimates, 24.9 million people are deprived of their freedoms globally. What makes this even worse is that 1 in 4 of the victims are children.
Stolen is a harrowing TV drama, made in 2011 for BBC One, that focuses on the problem of child trafficking. Written by Stephen Butchard, directed by Justin Chadwick, and filmed in Manchester, the movie stars a number of very talented first-time child actors along with our own Damian Lewis. The movie received a BAFTA TV nomination for Best Single Drama in 2012.
Wow, this pandemic, amirite? Depending on where you live you may be still hunkered down, resisting social gatherings, wearing masks whenever you go out. Maybe you’re somewhere where things are fully open and things are back to normal. For most of us, though, it’s certainly a new way of life. And, it may be with us much longer than anyone hoped it’d be.
Some of us are fortunate enough to have jobs that weren’t too affected, or actually took off, due to the nationwide lock down. (once folks can no longer mill around the water cooler in the office, they seem very keen to get stuff done. I sense in some industries, like tech, for example, productivity is at a record high) Too many of us haven’t been so lucky. And what about our artists, the stories that we need to watch, the performances that entertain and sustain us? Obviously they have been affected in a major way. Those in Damian’s profession are still learning how to get their work running again.
Damian Lewis was already an internationally known actor before Homeland. Yet, Homeland brought him big stardom, made him a household name, and it turns out some manhandling in the streets, too! Damian talksa bit about his post-Homeland fame in an interview with Buzzfeed: “It can be aggressive, that kind of adulation… People can go a little bit crazy, so there’s quite a lot of manhandling in the streets. Now I know what it must have been like to be Brad Pitt for an entire lifetime, ever since he did that scene in Thelma and Louise where he took his top off — I’m straight and that scene did it for me as well.”
Hmmm… So… you sort of know you have made it when someone tries to… I don’t know… pinch you on the street? 😀 But, seriously, when do you really know your show or your character has really arrived?
Bobby Axelrod, as much as he is a man of confidence, seems to feel most comfortable in his skin at Capparello’s echoing that Yonkers boy who wants to “get rich and get even” when he grows up. Every scene at this corner pizza joint reveals a thing or two about Bobby and THIS alone makes a trip to Rosa’s a MUST for me and my partner-in-crime Lewisto. And a comment on the blog from a reader, Alaston, saying “If you DO go to Rosa’s, get the Grandma slice” triggers it that we find ourselves on the M train heading to Rosa’s in August 2016.
So who folds it better? Bobby or Me?
We start with a virtual trip, revisiting the four scenes we saw at Capparello’s in Season 1 before our real trip, and highlight what we learn about Bobby in each one. Then we follow up with our real trip to Rosa’s Pizza and discuss the use of the pizzeria in the following seasons of the show.
Note: This post was originally published on March 26, 2019.
When he’s not running a show, co-creator of Billions, Brian Koppelman hosts a podcast called The Moment. Each hour-long session is a conversation about the creative process and pivotal moments in creative careers. Koppelman talks to people in various forms and stages of their creative lives about inflection points, the moments they sensed something shifted for them in their careers. Having listened to several of these conversations in his archive, its always a treat to hear how people get to live their professional dreams, be they restaurateurs, musicians, writers or actors. Back when he first publicized the podcast, I had this twee Twitter exchange with him. Continue reading “Throwback Thursday to Damian Lewis on The Moment with Brian Koppelman”