Damianista’s Note: JaniaJania and I were extremely lucky to see Damian Lewis in Edward Albee’s The Goat, or Who is Sylvia? and meet with him after the performance exactly two years ago. So, on the second anniversary of this fabulous experience, why not join JaniaJania today on a trip back? Enjoy!
The times I can see Damian in person are few and far between. It was at Damianista’s urging, i.e. pretty much taking me by the hand and flying me out to NY, that my first “sighting” and “meeting” even happened. (I have no idea what those quotes mean or why I used them, just go with me here) I vacillate often between “I’d be fine if I never saw him in person again, good riddance to that level of stress-filled gut-wrenching fangrl angst” to “Fine, I’ll see him on stage or something, but no reason to talk to him privately, is there? Can’t we be normal people for once and just go home and not talk to him?” to “OMG, when are we going to see him again, in what circumstances, for how long, can we possibly have it go longer, and what if…etc. etc. etc.” Truthfully, I spend about equal parts brain energy on those three states of fangrl-ness. Quite similar, in fact, to the brain energy allocation of an average 17 year old girl around prom time. Continue reading “Throwback Thursday to London, The Goat, and Meeting Damian Lewis”
When he’s not running a show, co-creator of Billions, Brian Koppelman hosts a podcast called The Moment. Each hour-long session is a conversation about the creative process and pivotal moments in creative careers. Koppelman talks to people in various forms and stages of their creative lives about inflection points, the moments they sensed something shifted for them in their careers. Having listened to several of these conversations in his archive, its always a treat to hear how people get to live their professional dreams, be they restaurateurs, musicians, writers or actors. Back when he first publicized the podcast, I had this twee Twitter exchange with him.
On Tuesday, last week, it finally happened: Damian sat down with Kopp to talk shop. You can listen to this episode of The Momentwherever you listen to podcasts. (Links below)
It is a truth universally acknowledged (at least on these pages) that, with Damian, there is more than what meets the eye. Likewise, there’s more to be said than what you hear, especially when interviews go deep like this one did. I wrote about another longer interview on the subject of creativity: SAG-AFTRA. This podcast covered similar ground, but touched on some things we’d never heard before. So, here’s a bit of reading between the lines of some highlights from The Moment.
Apart from being spotted as Bobby Axelrod on Billions Season 4 set, Damian is mostly just being himself these days, spending the weeks working in New York and jetting back to London on his off days to be with the family. So why not revisit a character that Damian has said is the one role that was most like him in real life? The thinking man with a sunny disposition: Charlie Crews. Here’s my visit with Life.
To be filed in the category of “This is a guy who makes you want to go back to school”, we learned and reported (on our lovely sister site damian-lewis.com) that Damian’s version of Antony’s funeral speech from Julius Caesar, for The Guardian’s video series Shakespeare Solos, was featured in a seminar on rhetoric. This wasn’t an avenue for literary criticism or drama theory, but a newsletter on effective public speaking.
How is speaking any different from writing and reading, you may wonder? Well, there are components to classical rhetoric, when dissected, can show you what makes one speech different from another. Such an analysis would reach your brain (or at least attempt to). Alternatively, we can talk about how a speech makes you feel. Granted we’re not seeing much great oratory from our current elder statesmen, so examples are few and far between. But, there was a time, wasn’t there? In our not too distant history, when a leader spoke, it did a heart good to hear, didn’t it?
This week marks the 74th anniversary of the Siege at Bastogne, a pivotal confrontation in Battle of the Bulge, which saw the Allied forces assert their most courageous and bloody defense against the last big push by Nazi forces in WWII.
The Bastogne episode of Band of Brothers was arguably the most emotionally intense and beautifully filmed of the series. It was like watching a dream sequence through a filter of constant snow, a bitter cold that you could almost feel in your bones as you’re watching. Like an opera of bodies, bent over, running for cover, crouching near trees, or frozen solid to the ground. You could watch all the action without sound and still feel it viscerally.
Did anyone see the new Star Wars this weekend? The sight of the salt planet with the blood red soil under the thin layer of salt brought immediately to this viewer’s mind the red against white of the smoke grenades the soldiers in Band of Brothers set off to obscure their positions from the Germans. Such a visually poignant and memorable cinematic effect.