Author: JaniaJania

Band of Brothers at 23: Revisiting Dick Winters

Damianista’s note: Band of Brothers is 23 years old. Currahee!

As one of the most iconic mini-series of all times, Band of Brothers may have turned 23 but it has never got old. People are still in love with Damian Lewis’ Major Winters and his Easy Company and thousands of families and friends enjoy a Band of Brothers marathon (multiple times!) every year.

To celebrate the the mini-series, HBO had Roger Bennett host an official Band of Brothers 12-episode podcast that followed the Easy Company’s footsteps from Normandy to the Eagle’s Nest, episode by episode, with insight from Tom Hanks as well as actors who brought the members of Easy Company to life  – including Ron Livingston, Donny Wahlberg, Matthews Settle, Scott Grimes and our beloved Damian Lewis.

Please hear Bennett’s Band of Brothers podcast episode with Damian Lewis below…

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Book Review: Meeting Damian Lewis

Never touch your idols: the gilding will stick to your fingers.

Il ne faut pas toucher aux idoles: la dorure en reste aux mains.
― Gustave Flaubert, Madame Bovary

How I love when art gets meta: when a writer or artist has the self-awareness and genuine capacity to make fun of themselves. That’s what we mean when we say the writing is “honest”. There’s no agenda to convince or win over the reader, just a need to show, everything, even the warty not-attractive bits.

With her first novel, Meeting Damian Lewis, Christine Wilson has succeeded beautifully in that effort. Continue reading “Book Review: Meeting Damian Lewis”

Throwback Thursday to a Lesson in Rhetoric: Damian Lewis as Antony

To be filed in the category of “This is a guy who makes you want to go back to school”, we learned and reported (on our lovely sister site damian-lewis.com) that Damian’s version of Antony’s funeral speech from Julius Caesar, for The Guardian’s video series Shakespeare Solos, was featured in a seminar on rhetoric. This wasn’t an avenue for literary criticism or drama theory, but a newsletter on effective public speaking.

How is speaking any different from writing and reading, you may wonder? Well, there are components to classical rhetoric, when dissected, can show you what makes one speech different from another. Such an analysis would reach your brain (or at least attempt to). Alternatively, we can talk about how a speech makes you feel. Granted we’re not seeing much great oratory from our current elder statesmen, so examples are few and far between. But, there was a time, wasn’t there? In our not too distant history, when a leader spoke, it did a heart good to hear, didn’t it?

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Throwback Thursday to Damian Lewis on The Moment with Brian Koppelman

Note: This post was originally published on March 26, 2019.

Photo Credits: Brian Koppelman

When he’s not running a show, co-creator of Billions, Brian Koppelman hosts a podcast called The Moment. Each hour-long session is a conversation about the creative process and pivotal moments in creative careers. Koppelman talks to people in various forms and stages of their creative lives about inflection points, the moments they sensed something shifted for them in their careers. Having listened to several of these conversations in his archive, its always a treat to hear how people get to live their professional dreams, be they restaurateurs, musicians, writers or actors. Back when he first publicized the podcast, I had this twee Twitter exchange with him. Continue reading “Throwback Thursday to Damian Lewis on The Moment with Brian Koppelman”

Throwback Thursday to Damian Lewis in The Misanthrope

Damianista’s note (02/15/2024): When a good friend shares this picture from Damian’s dressing room with you, you know it is time to travel back to 2009 and re-visit our guy in The Misanthrope. It is Damian’s handwriting on the mirror: I would recognize that capital “G” anywhere. And it says ““Rouse tempers, goad and lacerate, raise a whirlwind.” A little research shows that this was Kenneth Tynan’s lifelong motto, pinned above his desk at the National Theatre when he was its literary manager. ENJOY!

It was 2009 when Damian played the lead role of Alceste in Martin Crimp’s modernized version of Moliere’s 17th century comedy. After his appearance in The Misanthrope he was not seen on stage again until American Buffalo six years later. Dare we say, The Misanthrope marked a turning point for Damian, the last one where he was the nearly A-list actor playing against decidedly A-list’er Keira Knightley. NOW, of course, he is not nearly anything but a full-blown highly sought commodity on stage and screen. In this post, I’ll tell you a bit about the play, then, beg your indulgence as I wax philosophical about the extent to which the themes of the play translate to Damian’s own career trajectory.

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