Last week we awarded our Most Valuable Players for the season five premiere of Billions in a compilation post called our ‘Billions MVP Fanbook,’ which commemorates all those in honor of achievement for the utmost brazen, uber shameless, ultra scheming, unmatched bad asses to date – from sports references, music and tasty food to pop culture remarks, shocking twists and ultimate paybacks. Let us continue with that tradition as we award our Most Valuable Players (MVPs) this week.
Here are the Billions MVP awards for Season 5, Episode 2, “The Chris Rock Test.”
Welcome back to our ‘Billions MVP Fanbook,’ a compilation post commemorating all those in honor of achievement for the utmost brazen, uber shameless, ultra scheming, unmatched bad asses to date – from sports references, music, and tasty food to pop culture remarks, shocking twists and ultimate paybacks.
In case you missed our previous awards, you can catch up with season four episode one, episode two, episode three, episode four, episode five, episode six, episode seven ,and episode eight. and episode nine. Now, let us continue with that tradition as we award our Most Valuable Players (MVPs) this week.
Here are our Billions awards for Season 4, Episode 10, “New Year’s Day.”
We know how important music is the world of Billions. Showrunner Brian Koppelman recently said on his podcast The Moment that he writes to music. He shared that he wrote the penultimate episode of Season 2, “Golden Frog Time” with Tom Petty’s “Even the Losers” as inspiration and that song played during the writing of the show as well as within the show itself. When the question arose to whether they’d get the rights to use the song in the episode, Koppelman insisted that without the song there’d be no episode, literally and metaphorically. Thankfully they did get that song and many more memorable cuts for Season 2.
In a wee bite of a taste of what to expect in Season 3, we learned that “Born in San Antone” by Garrett T. Capps will open the first episode. Here’s some of his Lou Reed-ish styling here:
Just occurred to me and I had to go and listen and check to make sure they indeed haven’t used this song in either S1 or S2: LCD Soundsystem’s “North American Scum” totally brings up the ethos of the Billions world. Again, not one from the show as we know it, but certainly one metaphorically connected, at least in this viewer’s head.
In the spirit of getting geared up for another season of rich musical accompaniment to this show, let’s revisit Season 2’s playlist. Enjoy!
Compared to Season 1, this season of Billions, for whatever reason, used a bit less music, fewer seminal tracks to accompany its richly crafted scenes. Music was still important this season, but somewhat less so than last. In my review of last year’s music, you’ll count 36 tracks. Here, the major songs in all episodes amounted to 20. Interesting revelation from this exercise is that they seem to follow a certain pattern in genres from one season to the next. That is to say, the aural landscape of this season seemed to contain the same proportion of arena metal, 70’s funk, contemporary alternative, live ballad, perennial classics, and lovely alt-country. All the tracks they chose, regardless of number, hit all the marks.
Let’s follow along with Season 2’s playlist, shall we?
Compared to Season 1, this season of Billions, for whatever reason, used a bit less music, fewer seminal tracks to accompany its richly crafted scenes. Music was still important this season, but somewhat less so than last. In my review of last year’s music, you’ll count 36 tracks. Here, the major songs in all episodes amounted to 20. Interesting revelation from this exercise is that they seem to follow a certain pattern in genres from one season to the next. That is to say, the aural landscape of this season seemed to contain the same proportion of arena metal, 70’s funk, contemporary alternative, live ballad, perennial classics, and lovely alt-country. All the tracks they chose, regardless of number, hit all the marks.
Let’s follow along with Season 2’s playlist, shall we?
