Music has always been an important component of my life. My mother sings in a choir, my brother plays saxophone, and I used to play flute. Not incredibly well, but still.
We’d always listen to the radio and blare my parents albums in the car when I was growing up. While my parents had diverse, all around great taste in music, it wasn’t until I owned my first CD player and later on my first iPod, that I really developed an appreciation for music. Listening to what I wanted, blaring my favorite songs on my headphones (at way too high a volume). I’d listen to discs and playlists on the bus to and from school and I’d be transported.Continue reading “Desert Island Discs with LilMisfit”
As a “hyper-engaged” fan, one truly enters a state of mourning when one’s favorite is no longer on one’s screen. We know what he’s working on now: American Buffalo on stage in London’s West End. And we (the royal we) know we won’t be able to see him unless the play comes to the States and the stars align for us to get to where it’s playing. (Damianista IS seeing the play though, lucky so-and-so she is…so stay tuned for her story on seeing Damian as Teach, live). And we know his next project to start filming June is Billions on Showtime. So there we are with what’s he doing now and what he will be doing soon.
Now for what he has already done and what hasn’t made it to screen yet. We know that Damian Lewis has completed several films that are waiting on distribution. A film recently announced to have a U.S. distributor and set for limited release in September is Queen of the Desert, the story of Gertrude Bell, the female counterpart to that great explorer who got not one but two (or possibly more? ) films made about him, T.E. Lawrence, who we know as Peter O’Toole’s first, then Ralph Fiennes’ (and now Robert Pattison’s) Lawrence of Arabia. This post will be some theorizing on what we may be seeing in the film Queen of the Desert. Hopeful, longing, desirous theorizing, much like the letters Gertrude Bell (played by Nicole Kidman) exchanged with Charles Doughty-Wylie (played by Damian Lewis) for the few years of their problematic courtship. Continue reading “Queen of the Desert, some notes”
Wolf Hall has fascinated me all over with its wonderful writing, perfect directing, incredible acting, authentic costumes and gripping score. I think The Atlanticput it into the best words possible: “With Wolf Hall, PBS finds a drama worth of the word “Masterpiece.”
Yes. Wolf Hall is a masterpiece and what TOPS it all for me is how TIMELESS it feels. And, as I am having Wolf Hall withdrawals nowadays, why not sit down and write about its timelessness?
Hilary Mantel’s writing and Peter Straughan’s wonderfully condensed script open a beautiful window to the intrigue and manipulation in the court of Henry VIII in the 16th century. Wolf Hall is such a dark, political animal that it is inevitable to chew on a little bit about its politics. Besides, both the book and the drama help us understand history through a contemporary perspective, and does it through its politics and in particular, through the contemporary conversations its characters have all the time. Continue reading “Wolf Hall is Timeless”
Wolf Hall is one of the best things that has ever happened to TV. And, as much as it fascinates us with its wonderful writing, directing and acting, it also mesmerizes us with its visuals, lighting, set designs and particularly, in my case, the costumes! I am in awe of the fabrics and designs, but also the research the costume team did to create the most authentic dresses possible for the production.
UPDATE: Cannes Film Festival 2015 starts this week and with it comes the possibility of learning important particulars about a certain dramatic feature length biopic on the life of Steve McQueen. We already know that a documentary about Steve McQueen’s experiences filming the racing film Le Mans is being screened at Cannes. We can only imagine that an announcement about a new biopic, still in the infancy of development, if there is an announcement at all, will be made around the screening of The Man and Le Mans.