In her Desert Island Discs, Bookworm reveals that the Damian Lewis character she would take to her island is… Paul Reynolds! Have you ever met the guy? If not, it’s TIME you meet him!
Bookworm, in fact, identifies Paul Reynolds with the Queen hit: Don’t stop me now!She says: “What to say about Paul from Friends and Crocodiles? Paul has a big personality and the house to match. He has big dreams and plenty of ideas, but lacks the ability to coherently organise his life at all. He is known as a great host of great parties and has many colourful people in his life. Paul likes to enjoy himself and not really think too far ahead. Continue reading “Throwback Thursday to Damian Lewis in Friends and Crocodiles”
Now that we’ve had a fun peek at some filming and behind the scenes pics of Billions Season 3 featuring our favorite working couple, let’s revisit a post on how the relationship between Bobby Axelrod and Wendy Rhoades mirrors another relationship Damian has played: Paul and Lizzie from the BBC film Friends and Crocodiles.
Of all the compelling themes in Billions, perhaps the most compelling is the relationship between Bobby Axelrod and Wendy Rhoades. We’ve all explored it as some point whenever we’ve talked about Billions. Damianista did a two-part treatise on the relationship between Bobby and Wendy: Part I, Part II. Bookworm saw the story of Peter Pan in them: Fly Away, Fly Away. I focused on their revelatory therapy session in “Magical Thinking” and imagined their back story as a fanfic: Rubble. Suffice it to say, the relationship has provoked a lot of thought.
Damian took part in a project that focused on a relationship very similar to Bobby and Wendy’s, many years prior to and a continent away from the world of Billions. That film, BBC’s Friends and Crocodiles, centered on a similarly charged platonic relationship between a vibrant man and the practical hard-working woman who could never leave his side, despite herself. Written and directed by Stephen Poliakoff, Friends and Crocodiles was an ambitious production exploring such lofty themes as class, creativity and navigation of British socioeconomic trends over several decades. It was also primarily focused on the possibilities within the passionately-felt work relationship between Paul Reynolds and Lizzie Thomas. Paul and Lizzie, in a way precursors of Bobby Axelrod and Wendy Rhoades, foretold the intricacies of creating and dramatizing such a relationship on screen. (For an excellent recap of the film, refer to Damianista’s TBT summary.)