Damian took a long break from stage – 6 years – after he did The Misanthrope with Keira Knightley and Tara Fitzgerald at Comedy Theatre in 2009. And three seasons of Homeland, a season of Wolf Hall, three movies, an Emmy and a Golden Globe later, in 2015, he made a wonderful comeback to West End as Walter “Teach Cole” in David Mamet’s American Buffalo which went into history as the first (and second) time I saw my favorite actor on stage. Continue reading “Throwback Thursday to Damian Lewis in American Buffalo”
Damian Lewis is making a wonderful return to stage in Edward Albee’s late masterpiece The Goat, or Who is Sylvia? tomorrow and here is the last installment in our countdown. It is obviously a bittersweet end to our countdown with London in our minds and our hearts today. Please stay safe, everyone!
Damian takes quite a long break from stage – 6 years – after he does The Misanthrope with Keira Knightley and Tara Fitzgerald at Comedy Theatre. And after three seasons of Homeland, a season of Wolf Hall, three movies, an Emmy and a Golden Globe later, in 2015, he makes a wonderful comeback to stage as Walter “Teach Cole” in David Mamet’s American Buffalo… which also goes into history as the first time I see my favorite actor on stage. Continue reading “Damian Lewis on Stage: American Buffalo”
We have no intention whatsoever of ranking TOP Damian Lewis moments of the year; however, one incomparably exciting moment in 2015 — well, all 10 weeks of it — was to have our favorite actor back on stage in an incredibly dynamic performance in American Buffalo. In fact, Evening Standard agrees and includes Damian in its list of the most influential people in London Theatre in 2015. Besides, this is a moment where Damian shines as a brilliant actor, as a kind individual as well as a guy who knows how to have a good time!
Continue reading “TOP Damian Lewis Moments 2015: American Buffalo”
A recent article in Evening Standard mentioning a certain someone as one of the most influential people in London Theater in 2015 first inspired me to do a throwback to one of the best stage performance I have ever seen in my life: Damian Lewis in American Buffalo!
And then I found a second inspiration at New Yorker Festival: I was lucky enough to ask the last question in the Q&A following the conversation New Yorker staff writer Lauren Collins had with Damian Lewis at New Yorker Festival. In fact, when it was my turn to ask, Collins said we were out of time. I don’t know what kind of a sad look I gave to her but she said: “OK, one more…” Continue reading “Throwback Thursday to Damian Lewis in American Buffalo!”
“We all live like the cavemen.” – Walter "Teach" Cole
Advance Warning: A sign at the entrance of Wyndham’s theatre warns the audience about explicit language in American Buffalo. I would love to imitate that and warn you all, for the sake of giving a detailed review of the play, I choose to use some of that explicit language in my blog post. So, please read at your own risk – thank you!
In case you missed the first part of my review, and want to take a look, here it is.
American Buffalo, as it brings to life a day in the lives of three no-hopers that are dying to have a shot at their slice of the American Dream, addresses the themes of friendship, loyalty and business. The play, in particular, examines how the new corporate culture penetrates into daily lives and brings about unbearable cost to people through meddling with the core “values” they have held for the longest time. One can lie, break business deals, and simply do whatever it takes to get his own way in the new world, and there is no place for trust. Teach, coming from outside, symbolizes these “new values” in a way. He “teaches” Don how the new world works: “All I mean, a guy can be too loyal, Don. Don’t be dense on this. What are we saying here? Business.” Continue reading “A Night at the Theater with Damian Lewis: American Buffalo, Act II”