Last we left our star-crossed duo, Brody and Carrie were standing outside a church and there was rain. Now, we’re continuing trying to get an answer for the question: Was it love?
Till this point in Homeland, we already know enough about Carrie Mathison to know that she uses sex, the same way she uses wine and music, as an escape from the restlessness, the constant spinning in her head. She wears a wedding ring when she goes out so there’s no confusion by either party about what the sex is about. Just sex, nothing more. We know she’s had a life full of risk-taking. We know she dated Estes and broke up his marriage. All of these tidbits of her back story are meant to establish the fact that Carrie believes in her soul that a life of coupledom, marriage, and children is not in her future. She can’t even dream about it, because of her illness, because of her job, or because she finds herself incapable of doing the work a real relationship would require, or withstanding the inevitable boredom of it. So she uses men for sex. And she uses sex for control. And then she gets back to work. It’s an arithmetic that’s worked brilliantly for her.
With Brody, it’s different. She’s working. But she’s also attracted to him. And it’s all very confusing and also quite intoxicating.
Is it obsession? Yes, okay. The magnet pull of a self-destructive force? Sure. But it’s real. Palpable, relentless, and necessary.
Continue reading “Homeland, Carrie and Brody, Was it Love?: Part III”
