Holbein in Wolf Hall

source: farfarawaysite.com
source: farfarawaysite.com

We earlier discussed here the authenticity of the costumes in Wolf Hall as well as how much the series costume designer Joanna Eatwell values Hans Holbein the Younger’s work in achieving this authenticity.

It turns out Eatwell digged into the paintings of Holbein for research. From Lucy Worsley’s interview with Eatwell:

‘He’s a genius – all the information is in his paintings,’ she says.

‘He not only painted members of the court, he also painted merchants and even some of Henry’s courtiers and staff, so we have a complete cross-section which is incredibly important for a piece like this.’

Eatwell argues, in an audio interview with the BBC Academy, Holbein is a “master in his craft” and his paintings are realistic but also propaganda. The paintings make a statement about the person in the painting — she calls it the “photoshop” of the times.

Continue reading “Holbein in Wolf Hall”

Murder of Crows

Don’t you just love when history comes in a nice convenient story arc? Wolf Hall, episode 5 is the climax leading up to the denouement of the stories told in Mantel’s Wolf Hall and Bringing up the Bodies. We all know how this is going to end, yet, here we are still watching, rapt, captivated by a fascinating story of a fascinating time told and performed impeccably by the best ensemble cast imaginable.

In this episode, titled “Crows”, we see leonine Henry’s frustrations coming to a head and wolf-in-sheep’s-clothing Cromwell being shown his place in the realm. And we see Anne slowly and painfully getting prepared to be escorted to the gallows. Continue reading “Murder of Crows”

Wolf Hall on PBS, Episode 5: Crows

"How many men can say my only friend is the King of England?" 
-Thomas Cromwell
source: farfarawaysite.com
source: farfarawaysite.com

Wolf Hall is getting darker by the minute in its penultimate episode. And, thanks to the wonderful immediacy it has —that’s Peter Kosminsky doing wonders behind the camera — you feel as if all is happening on real time, in front of your very eyes complete with a couple of moments that make you flinch!

In Crows, Henry is restless. He is capricious. He is obnoxious. He is EXPLOSIVE… And, then he turns into a little boy trying to make amends to his best friend. I don’t want to make a case for Henry but he has his reasons for being so — it is all about his obsession with a male heir. And, add to this, his being very much aware of his own mortality now that Henry makes a decision to move on… well… to the next wife… which also makes him a hopeless romantic at times…

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The Most Delightful Deleted Scene in Wolf Hall

source: farfarawaysite.com
source: farfarawaysite.com

I told you earlier that I always assign actors to characters when I read. I don’t necessarily know why I do that, maybe to create some familiarity, but I do it. And, it’s not a secret that I dreamed of Damian Lewis as Henry VIII while I was reading Wolf Hall. Damian Lewis being cast as Henry was a dream coming true for me.

Anyhow, as I dreamed about Damian Lewis as Henry VIII, I had a few favorite scenes from the books that I really wanted to see in the mini-series. And most of them have made it to the series, but my MOST favorite scene that I talked about earlier here didn’t. I mean, I know every single scene cannot make it into the series, and my favorite scene is not really central to the story, but I was still disappointed a little.

But then… My partner-in-crime Bookworm gave me the good news! The Wolf Hall DVD had that particular scene as a “deleted scene.” Continue reading “The Most Delightful Deleted Scene in Wolf Hall”

Quicksilver of Devil’s Spit

Call her Elizabeth. Call off the jousts.

canceljoust
source: BBC

A shadow is cast over the land and over Henry as he proclaims that no celebration will be necessary for his newborn girl child. In addition to this disappointment, Thomas More has refused to budge an inch to acknowledge the King’s marriage as legal and his offspring as rightful heirs. More has resigned as Chancellor, handed over the Seal, so why is what he thinks still important? Because, as Cromwell is ready to tell us, More’s opinion is adding fuel to the fire of opinion against Henry throughout the realm and Europe. No one likes what the King has done in declaring himself the head of the church
in England. No one wants England to separate from Rome. More is just one man who is vocal and adamant. When discontent is already widespread, a kingdom only needs one vocal man to foment a rebellion. And a country girl nun who sees visions (albeit with dubious timelines) and who also won’t budge an inch.

Continue reading “Quicksilver of Devil’s Spit”