
Damianista’s note: This review discusses the film’s basic setup and a few scenes beyond those shown in the trailer, but contains no major spoilers.
Let me begin with the obvious: The Runner is not the movie of the year.
It is one of those kidnapping thrillers in which an ordinary person receives a terrifying phone call and must follow a criminal’s instructions to save someone they love. We have seen plenty of them, haven’t we?
However, one thing distinguishes it from many similar thrillers: the person doing the running, fighting and quick problem-solving is a woman. In this kind of story, the desperate parent and action hero has often been a man. Here Maia is given the same freedom male action heroes have long enjoyed—to be physically strong, think strategically and be the one responsible for saving the day. This may not reinvent the formula, but it does help level the playing field for female characters.
This does not mean that The Runner is an excellent movie. No, it is not, and I have reservations that I will discuss later. But it is a good choice for action-thriller lovers. It moves quickly, it has its moments, and the psychological duel at its center keeps it engaging. And this is coming from someone who almost never watches mainstream commercial films, particularly action movies.
If you are watching only because you want to see a lot of Damian Lewis, however, you should adjust your expectations. You will get plenty of his voice, along with shadows, blurred images and tiny glimpses of him. We see him in the flesh only briefly. This is very much a Gal Gadot movie.
Continue reading ““The Runner” Review: A Race Across London and a Battle for Control”
