Throwback Thursday to London, The Goat, and Meeting Damian Lewis

Has it been a year? How can it be if I still have my dog-eared Rick Steves’ London on my end table? Sure, it’s buried beneath a precipitous “To Read” pile, but, still, it feels like I just unpacked it. The thing about travel is that it becomes a part of you in ways other human experience can’t. In two rich weeks, walking that town, its lovely byways and bridges, at all hours of the day and night, I felt like a Londoner. So looking forward to going back at the first opportunity. It’s Damian’s home turf and that’s an attraction, sure. But, more than that, London, to me, feels like a calmer, quieter version of New York, more amenable to those of us not so tough anymore. A place full of just as many rich experiences, but that doesn’t feel like it would kill you if you stayed too long.

Exactly a year ago, London is where we saw Damian on stage in The Goat. Let’s take a trip back, shall we? Continue reading “Throwback Thursday to London, The Goat, and Meeting Damian Lewis”

TOP Damian Lewis Moments 2017: “The Goat, or Who is Sylvia?”

While we have no intention of ranking TOP Damian Lewis moments of the year, one extremely thrilling moment in 2017 — well, all 12 weeks of it — was to have our favorite actor back on stage in an incredibly strong performance in Albee’s The Goat, or Who is Sylvia? at Theatre Royal Haymarket. And we hope you join us in visiting the play’s 12-week West End run from previews to media appearances to jam sessions to stage door experiences. Cheers!

Continue reading “TOP Damian Lewis Moments 2017: “The Goat, or Who is Sylvia?””

We Celebrate 30 Months of Fan Fun with 12 weeks of Damian Lewis on Stage

This is a HAPPY week! We’re celebrating Fan Fun with Damian Lewis being LIVE for 30 months. This would not be possible without you, our wonderful readers, so we thank each and every one of you for the love and support you have given us over the last two and a half years. It is a true pleasure to write the posts, share them with you and receive your valuable feedback. It is YOU that make us keep going and going! 

Today we want to share with you a special message from a VERY special reader! Damian told us earlier he read our blog, but him recently acknowledging our work on Twitter has made our day, week, and month. Not that we are expecting anything but this sweet gesture is everything. 

Continue reading “We Celebrate 30 Months of Fan Fun with 12 weeks of Damian Lewis on Stage”

A Young Woman Finds A Role Model in Damian Lewis: Carolin’s Story

Hello, everyone! Damianista welcomes you to a new fan story!

Today’s story comes from Germany! Carolin is a published writer, a blogger, and a long-time Damian fan! BIG thanks go to her for taking the time to write her story both in English and German. We start with the German version as a surprise for our German-speaking readers and please scroll down for the English version. ENJOY!

Carolin (on the right) and her friend Simone with Damian at The Misanthrope Stage Door, 2010, copyright: Carolin

Continue reading “A Young Woman Finds A Role Model in Damian Lewis: Carolin’s Story”

Previews to Closing Night: We Celebrate Damian Lewis in “The Goat, or Who is Sylvia?”

Well, 12 weeks were gone with the wind and The Goat, or Who is Sylvia? has now closed. And, as if we need another reason to celebrate Damian’s work, I would love to take the closing of The Goat as a unique opportunity to celebrate 12 weeks of Damian Lewis on stage. Please enjoy our Fan Fun Goat Party from previews to media appearances to jam sessions to stage door experiences!

Continue reading “Previews to Closing Night: We Celebrate Damian Lewis in “The Goat, or Who is Sylvia?””

Damian Lewis Owns Edward Albee’s The Goat on Stage

A play is as good as its writing and acting. This is precisely what makes Albee and Lewis’ “The Goat, or Who is Sylvia?” a rare jewel. Yes, it is Edward Albee who wrote it, but it is Damian Lewis who owns it on stage.

Albee’s The Goat is one of the finest plays I have ever read or seen. I would be extremely lucky if I read a better one in my life time — minimalist and impeccable writing, full of punches back to back to the reader’s paradigm of morality. Continue reading “Damian Lewis Owns Edward Albee’s The Goat on Stage”