We Celebrate 30 Months of Fan Fun with 12 weeks of Damian Lewis on Stage

This is a HAPPY week! We’re celebrating Fan Fun with Damian Lewis being LIVE for 30 months. This would not be possible without you, our wonderful readers, so we thank each and every one of you for the love and support you have given us over the last two and a half years. It is a true pleasure to write the posts, share them with you and receive your valuable feedback. It is YOU that make us keep going and going! 

Today we want to share with you a special message from a VERY special reader! Damian told us earlier he read our blog, but him recently acknowledging our work on Twitter has made our day, week, and month. Not that we are expecting anything but this sweet gesture is everything. 

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A Young Woman Finds A Role Model in Damian Lewis: Carolin’s Story

Hello, everyone! Damianista welcomes you to a new fan story!

Today’s story comes from Germany! Carolin is a published writer, a blogger, and a long-time Damian fan! BIG thanks go to her for taking the time to write her story both in English and German. We start with the German version as a surprise for our German-speaking readers and please scroll down for the English version. ENJOY!

Carolin (on the right) and her friend Simone with Damian at The Misanthrope Stage Door, 2010, copyright: Carolin

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Previews to Closing Night: We Celebrate Damian Lewis in “The Goat, or Who is Sylvia?”

Well, 12 weeks were gone with the wind and The Goat, or Who is Sylvia? has now closed. And, as if we need another reason to celebrate Damian’s work, I would love to take the closing of The Goat as a unique opportunity to celebrate 12 weeks of Damian Lewis on stage. Please enjoy our Fan Fun Goat Party from previews to media appearances to jam sessions to stage door experiences!

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Damian Lewis Owns Edward Albee’s The Goat on Stage

A play is as good as its writing and acting. This is precisely what makes Albee and Lewis’ “The Goat, or Who is Sylvia?” a rare jewel. Yes, it is Edward Albee who wrote it, but it is Damian Lewis who owns it on stage.

Albee’s The Goat is one of the finest plays I have ever read or seen. I would be extremely lucky if I read a better one in my life time — minimalist and impeccable writing, full of punches back to back to the reader’s paradigm of morality. Continue reading “Damian Lewis Owns Edward Albee’s The Goat on Stage”

How I Have Fallen For “The Goat, or Who is Sylvia?”: A Review

“Her breath… her breath was… so sweet, warm, and…” – Martin

As much as I believe in live theater as the best art form ever, I also know, alas, due to geographical, financial and time constraints, only a limited number of people have access to a particular play staged at a particular place. Thus, I imagine, recording and streaming the plays for fans all over the world would certainly make theatre a more democratic art form and help young generations fall in love with it, too. National Theatre Live, a project initiated by the Royal National Theatre in London, broadcasts, via satellite, live performances of their productions to movie theaters and art centers around the world. I hope, with technology at hand, this becomes common practice sooner than later.

source: Damianista

Now, having made my desperate statement about theater, I feel extremely lucky to have seen The Goat, a brilliantly written play turned into an acting feast in the hands of the ridiculously talented quartet of Damian Lewis, Sophie Okonedo, Jason Hughes and Archie Madekwe. JaniaJania has already written a fantastic review of the play here and, with a little help from my memory and the pictures I have been able to find online, I will now try my best to “stream” The Goat for you with a bit of commentary on the side. Hope you enjoy it. Continue reading “How I Have Fallen For “The Goat, or Who is Sylvia?”: A Review”

London, The Goat, and Meeting Damian Lewis

The times I can see Damian in person are few and far between. It was at Damianista’s urging, i.e. pretty much taking me by the hand and flying me out to NY, that my first “sighting” and “meeting” even happened. (I have no idea what those quotes mean or why I used them, just go with me here) I vacillate often between “I’d be fine if I never saw him in person again, good riddance to that level of stress-filled gut-wrenching fangrl angst” to “Fine, I’ll see him on stage or something, but no reason to talk to him privately, is there? Can’t we be normal people for once and just go home and not talk to him?” to “OMG, when are we going to see him again, in what circumstances, for how long, can we possibly have it go longer, and what if…etc. etc. etc.” Truthfully, I spend about equal parts brain energy on those three states of fangrl-ness. Quite similar, in fact, to the brain energy allocation of an average 17 year old girl around prom time.

So, when we heard about The Goat, or Who is Sylvia? coming to London and started talking about it, there I was, torn among those three states. “I’ve got a sister right outside London,” I said. “I can stay with her!” And maybe take a couple weeks and see London, make like I’m 19 again, but, this time, somewhat have the money to do all the London things I’ve never had the chance to do. “Make it about London and not just about him,” said the part of my brain reserved for how crazy all THIS makes me look, justifying the insanity of all THIS by diluting it with a legitimate sight-seeing trip to a legitimate world capital city with loads of things that interest me anyway, even if it weren’t Damian’s home town.

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