As we reported in March, BBC series Wolf Hall was dealt the most nominations for BAFTA Craft and TV Awards. At the BAFTA TV Awards portion of the event in London on May 8, we saw this excellent series take home the well-deserved prize for Best Drama! And leaving with the honor of Best Actor was Mark Rylance for his flawless portrayal of Thomas Cromwell.
We got the news earlier this month that Wolf Hall, with 6 nominations, leads the pack for BAFTA TV Craft Awards. When the winners are announced on April 24, we’ll be tuning in to see this once-in-a-lifetime production hopefully win for some, if not all, of these categories for which it has been nominated.
Today we learn the remainder of the nominations for Wolf Hall for the BAFTA TV Awards.
Wolf Hall has fascinated me all over with its wonderful writing, perfect directing, incredible acting, authentic costumes and gripping score. I think The Atlantic put it into the best words possible: “With Wolf Hall, PBS finds a drama worth of the word “Masterpiece.”
Yes. Wolf Hall is a masterpiece and what TOPS it all for me is how TIMELESS it feels. And, as I am having Wolf Hall withdrawals nowadays, why not sit down and write about its timelessness?
Hilary Mantel’s writing and Peter Straughan’s wonderfully condensed script open a beautiful window to the intrigue and manipulation in the court of Henry VIII in the 16th century. Wolf Hall is such a dark, political animal that it is inevitable to chew on a little bit about its politics. Besides, both the book and the drama help us understand history through a contemporary perspective, and does it through its politics and in particular, through the contemporary conversations its characters have all the time. Continue reading “Wolf Hall is Timeless”
The final episode of this fantastic series starts with Anne served up on a table, appetites of all her enemies at the ready, and Cromwell at the head of the table brandishing the knife. It’s Cromwell’s vision of himself and the metaphor for what he’s about to do to the Queen. Thus the episode “Master of Phantoms” starts with the masterful Cromwell ushering us into the final movement of this riveting and memorable drama, colored in broad strokes by a pervasive sense of inevitability and doom.
The conceit with which Mantel started Cromwell’s mission within Henry’s court, that posse of gentlemen dramatizing leading beloved Worsley into hell, is now going to come to a head. That posse is going to get what’s coming to them, in a sequence of events perhaps a bit too convenient, but compelling nonetheless. Continue reading “Master of Prophecies, Master of Phantoms, Master of Fate”
"Those who have been made can be unmade." - Anne Boleyn
Henry never says good-bye…
Once he sees Wolsey is not able to fix a new wife for him… Henry never sees him again.
Once he realizes Katherine will not let him go, Henry leaves one morning without a good-bye, and never sees her again.
Once he takes back the chain of office from Thomas More as he resigns from his post as Lord Chancellor in a protest against Henry’s new bills… Henry never sees him again.
Finally… Once he leaves Anne at the jousting tournament at Greenwich, and rides back to Whitehall… Henry never sees her again. Continue reading “Wolf Hall on PBS, Episode 6: Master of Phantoms”
Don’t you just love when history comes in a nice convenient story arc? Wolf Hall, episode 5 is the climax leading up to the denouement of the stories told in Mantel’s Wolf Hall and Bringing up the Bodies. We all know how this is going to end, yet, here we are still watching, rapt, captivated by a fascinating story of a fascinating time told and performed impeccably by the best ensemble cast imaginable.
In this episode, titled “Crows”, we see leonine Henry’s frustrations coming to a head and wolf-in-sheep’s-clothing Cromwell being shown his place in the realm. And we see Anne slowly and painfully getting prepared to be escorted to the gallows. Continue reading “Murder of Crows”