Author: JaniaJania

Queen of the Desert in U.S. Theaters April 7

Finally, Queen of the Desert, with Damian Lewis in the role of Charles Doughty-Wylie, is being released to wider audiences in the US. Nicole Kidman’s very successful run with HBO’s Big Little Lies must have provided the impetus needed to give this 2015 film a stateside release.

The film will be in theaters April 7 and available on demand on April 14.

Need a refresher on what this film is about and why you should go see it? Here’s what I had to say after the first few international previews came out last year.

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Billions on Showtime 2.06: Indian Four

Nearly midpoint to Billions Season 2, and tables are turning in Episode 5, “Indian Four”. We start the show geared up to go thru all the machinations, ebb and flow, tit for tat, cat and mouse that has been the hallmark of the series so far. And there is plenty of that rapid-fire tennis match back and forth to watch, but, there’s also something quite new this episode. It feels sort of homey, much less technical, more touchy-feely, dare I say, more human.

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Billions on Showtime 2.05: Currency

Billions season 2 episode 5 is titled “Currency”, after the main play of the episode which happens to be a highly delicate currency play. Currency, the word, when spoken by Damian Lewis manifest as Bobby Axelrod, is also one among the many rhythmic words you’ll hear from him this episode, pronounced in impeccable New York-ese. We probably shouldn’t keep harping on his believability in this role. After all, that’s why they call it acting, right? Where most acting is a well-developed form of impersonation and most non-native accents are a form of ventriloquism, what Damian does with Bobby, in terms of body and language, is something else entirely. Something that is neither simply impersonation nor just ventriloquism.

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Damian Lewis on Stage: The Misanthrope

Continuing the countdown to Damian’s return to stage next week (!) with The Goat, or Who is Sylvia?, let’s take a visit to his penultimate play, The Misanthrope. It was 2009 when Damian played the lead role of Alceste in Martin Crimp’s modernized version of Moliere’s 17th century comedy. After his appearance in The Misanthrope he was not seen on stage again until American Buffalo six years later. Dare we say, The Misanthrope marked a turning point for Damian, the last one where he was the nearly A-list actor playing against decidedly A-list’er Keira Knightley. NOW, of course, he is not nearly anything but a full-blown highly sought commodity on stage and screen. In this post, I’ll tell you a bit about the play, then, beg your indulgence as I wax philosophical about the extent to which the themes of the play translate to Damian’s own career trajectory.

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Billions on Showtime 2.04: The Oath

Boy, Billions is giving its stellar coterie of actors a lot more to do this season! While the plot has always remained tight and unpredictable, this show has always been character-driven, never more so than right at this moment.

You don’t have to read the business papers to hear the real world buzz around Preet Bharara’s recent firing as U.S. Attorney for the Southern District of NY. In the fictional world of Billions, this is the very position occupied by Chuck. In Tuesday’s NYT, Andrew Ross Sorkin’s regular article Dealbook , quoted the so-called “sheriff of Wall Street” Bharara saying in another interview:

I have never said that insider trading is the crime of the century. It has not been my personal focus. It’s the focus of the press because there are a lot of wealthy people that like the reporting of it.

Indeed, in the world of Wall Street, and Billions, there is ethics and then there is the appearance of ethics. Prosecution is not always (or ever?) about beating the bad guy and scoring a victory for justice. A lot of the time it’s about beating a case that’s beatable and tantalizing to the press and the public. Sure, the practice of law is about setting precedent on good and bad, right and wrong, but a lot of the time (most of the time?) it’s about managing public perception of these lofty ideals. And it’s in the managing of perception where all the play happens. This theme runs throughout Billions, and is in particular focus in Episode 4 “The Oath.”

Something else notable for this episode: the virtual encyclopedia of pop culture references! A cynical person could snark it’s a good thing all the people of this world seem to have read the same books, seen the same movies, and listened to the same music. Writing about it was one rabbit hole after another and I can only imagine the fun from the actual writing of it.

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